Last night at SHARE was the first full run, full on performance of Lance Blisters. It's a very tricky performance because it requires me to use
modul8 exactly like an intrument. All of my clips have to be on que for
very specific moments in music. At the same time the music is extremely fast paced. The adrnennaline levels rise very quickly and despite several
rehearsals mistakes are still made. Perhaps more rehearsals? Maybe so... but even during the rehearsals I can see plenty of instances in which a macro would be quite useful. And very simple ones at that. Like for example having 1 key to jump through a series of still images and at the last press go back to the first image in the sequence right after turning off the layer.
In any case... this is what I have been thinking about in view of the challenges in doing live performances where the video needs to be synced very precisely to the music without connecting devices together.